Wednesday, 24 October 2012

Brushes with fame


If you live in a city like London, occasionally you might find yourself at an event involving someone a little bit famous.  If that person has written a book, there's a good chance they'll be selling copies at the event. So  you might think about buying a copy of it and asking them to sign it for you.


If you go to buy the book, and then the famous person sees you getting out your purse and says "No, no, put that away, tonight I'm giving them away for free", you might think to yourself "Gosh, that's really very generous of him.  How nice!"

 And when he looks down at the table in front of him and realise that he doesn't actually have any books left to give you, and says, "Oh no!  Wait right there, let me see if I can find some more" and then goes off to find his publisher or agent or whoever , who is right over on the other side of  the room, and she gives him a rucksack he has to lug back over to the table past a very crowded bar, and then rummage through in order to find the book he is going to give you,  for FREE, you might find yourself thinking "wow!  That was an AMAZINGLY generous thing to do, going to all that trouble."  

And so, you might say to the famous person who has just gone out of their way to do something very nice for you exactly the same thing you say to anyone who does something extra nice for you, which, if you are me, is "Oh!  You're a star!  Thank you so much!"  

But  the famous person might not hear you properly, and say something like "sorry, I missed that - er.....what did you say?"  So you might say again, "you're a st....."

And then you will realise that in this particular context, the phrase " you're a star" probably sounds less "you've done something I really appreciate"  and more "OH MY GOD! YOU ARE AN ACTUAL CELEBRITY WHO IS ON TELLY AND EVERYTHING AND OH WOW I CAN'T BELIEVE I'M TALKING TO A REAL LIVE PROPER FAMOUS PERSON!"

But you'll probably realise it a split-second too late, by which time you've already called him a 'star' and he probably thinks you're some sort of crazy fan-girl, and you can hardly explain that's not quite what you meant and anyway, now he's waiting for you to tell him your name so he can sign the book he's gone to all that trouble to find for you.  

If all that happens, you'll probably feel a little bit horrendously embarrassed. 

But then,  if the famous person is not only very  generous but also quite kind and incredibly gracious, he might do something very  cool, like this:




And you'll suddenly feel a whole lot better.  

 Even more so when you remember  that the guy in front of you wanted his book signed "from Darth Maul".  


Monday, 8 October 2012

Absurd Inventions

I had a whole pile of things to get done at work today.  While doing one of them, I stumbled across this list of totally absurd inventions, and guess what? Now I have a whole pile of things to get done later in the week.

At first glance, it looked like a pretty unassuming list, with a few mildly odd sounding entries.   But then I started clicking on links, and oh, my word.  They all come with (at times, quite  Professor Branestawm-esque) diagrams, and the ideas are just, well, nothing short of extraordinary, especially when you remember that they've all, apparently, been patented.

Of course, it helps that they're all accompanied by lighthearted, slightly-sarcastic-but-its-sometimes-hard-to-tell explanations which I can't help but hear in my head as if they're being read by George Lamb from Come Dine With Me.

Here's Jacques Fido, which just made me laugh out loud:


And a fashion accessory which never quite caught on, called Angel Ears



" Maybe Albert (the inventor) had big ears and was teased incessantly as a child so he wanted to cover them up. " guesses the commentator.  "Or, maybe Albert was an obsessed Ornithologist with a desire to spread his love of birds through the ultimate fashion ear ornament."


Sports fans might be interested in the Skin Stencil



"Finally, a hat designed for the ultimate fan. Now you can burn your favourite team logo right into your forehead!  That's right, the logo portion your hat's adjustable headband has cutouts allowing the sun to sizzle your skin.   We suggest that you don’t apply any sun block to the part of your forehead that's under the headband and stay in the hot sun all day so tomorrow will truly be a red letter day!" 

(This suggestion is not endorsed by the National Cancer Institute.)



And after a hard day of having your face burned to a crisp in the name of sport, what you'll probably feel like doing is taking a nice long, relaxing fish bath.




Yep, those are actual fish.  Not in the tub with you (I mean, that would be silly!) but swimming around in a transparent walls of your bathtub, so you can see them. 


And so it goes on.  There are literally hundreds of these things, including: a gerbil shirt, a toilet snorkel (for when your high-rise building catches fire... what else?), a cheese-filtered cigarette, various dieting devices including a mouth cage, an alarmed fork and a contraption which won't let your hand get too close to your mouth and a hijacker injector, for aeroplanes.

I moan about my (day) job sometimes, but every now and then it throws up something like this, and suddenly it doesn't seem nearly so bad.


Thursday, 4 October 2012

You've Got Mail.....

No, wait.  I mean, I've got mail:



A little parcel of these publicity postcards for Stations - the short story anthology I've contributed to - arrived today.

Here's what they look like on the back:



We have a publication date!  And and ISBN number!  THIS REALLY TRULY IS GOING TO BE AN ACTUAL BOOK!

As you can probably tell, I'm starting to get a bit excited by these postcards.

But not as excited as I was by THIS:



A BADGE!  With my NAME on it!  Which says I am an AUTHOR!

I am way more excited about the badge than I ought to be.  In fact, I'm way more excited about the badge than I thought I was going to be.  Because I knew it was coming; my publisher (my PUBLISHER.  Yes, I KNOW....) sent an email last week, saying she'd had them made up.  To be honest, I was a little dubious.  But now that I've seen mine, I love it.  I'm not saying I'll wear it out in public, necessarily, but I might wear it under my other clothes sometimes.  Kind of like a Superman cape.

STATIONS is, as by now you may have surmised, a collection of short stories inspired by the East London overground line and will be available online and in bookshops from November 29th.  My story was inspired by Hoxton, and more specifically by the wonderful Hoxton Street Monster Supplies.  It's a place very close to my heart for reasons I have been meaning to blog about for ages, and will endeavour to do so very soon.

Speaking of which, I'm very aware that this blog has become one big plug-fest for my own writing lately.  Sorry and etcetera.  It's just that it's all been a bit exciting lately.  I'll try and redress the balance in the next few posts.

Sunday, 30 September 2012

Free stories! For free!

I mean, what's not to love?

Open Pen is a literature magazine, distributed via London's independent bookshops for free (did I mention that?) every couple of months.

The most recent edition which looks like this




contains a story written by me.  It's one I had a lot of fun writing, so if you pick up a copy I hope you enjoy it.  Also, I hope you're not a Geography professor.  You'll soon see why.

It can be found, at the time of writing, in these bookshops:  LXV Books, in Bethnal Green; Brick Lane Books;  Broadway Books (on Broadway Market) and Skoob Books* in Bloomsbury, as well as at Departure in Limehouse.  And in more places soon, I'm told.  Completely free.


*If, like I was, you're curious about why Skoob Books are called Skoob Books you might want to have a look at their website.  It doesn't take too long to figure out.





Friday, 21 September 2012

But......wait! There's more!



One Upon a Time is a flash fiction collection of unexpected, one-page fairytales, including one which was written by me.

Or at least, most of one which was written by me.  If you buy the collection  you might notice that my unexpected fairy story has a slightly unexpected ending.  That’s because the last line is missing.  I’m not quite sure whether it was a mistake or an editorial decision, and that's not really relevant now anyway.  I just thought I’d mention it for anyone who has found their way here after buying the book (there's a list of author blogs in the back) and thought the ending sounded a bit odd.

The final line should be: 
“I do have a question.”.  His faced brightened.  “What’s the Chinese for ‘genie’?”
So now you know. 
To be very clear - and this is something I can't emphasise enough - I'm not complaining. The whole project started life as a fun on-line competition, and like most entrants I was thrilled to bits when the organisers announced their plans to publish.  We all gave our work to the collection free of charge, and any profits (which are likely to be minimal) will be going to charity, so I’d feel like a Grinch if I made a fuss. 

In my own copy of the book, a carefuly placed post-it note has solved the problem.  If you buy a copy, tell me and I'll happily send you one too - can't get fairer than that.

Friday, 3 August 2012

Help! My Stories are Escaping!

OK, so this isn't really a cry for help. In fact, it's more of a humblebrag if I'm going to be completely honest.  But I quite like that title, so I'm sticking with it.

The thing is, various exciting things have happened this year which I meant to write about at the time and for various reasons I didn't. Now I'm going to have to write about them all at once which I'm not sure I can do  without it sounding like I'm bragging - at worst, quite a lot, and at best, at least a little bit.  Bear with me.

It started towards the end of last year, when I made a quiet resolution to start doing more with my writing.  I wasn't sure what, exactly, but I knew I had to bite the bullet and start sharing my stories with other people.  I think I've mentioned  before, the Dave Eggers quote I keep pinned above my desk.  He says:

 "No-one can read the thoughts in your head. They can only read the words you put down with great love and care on the page."

 Well, the same can be said for the words you put down with great love and care on the page, and then keep locked away inside your computer. ( Or, which you put down with love and sometimes a bit less care on a blog which you conveniently forget to tell anyone about, I suppose, but let's not go there.)

So in December I submitted a few stories to a few places, and then waited.  And waited.  And waited some more.  Slowly, things began to happen.

First, the lovely Gabriella, who runs a monthly story telling afternoon called Storytails, emailed to say she liked the story I'd sent her and invited me to take part in her January event.   A few weeks later I found myself sitting on a stage in a pub reading a story to a room full of strangers (and half of it to the friend who I dragged along, but who arrived late and missed the first bit).

If you think that sounds nerve-wracking and terrifying you're absolutely right. It was. I've been a member of the London Writers Cafe, a critique group come support network for writers of all types, for a while now and have read things out there - a chapter of my novel-in-progress and a couple of short stories.  That was terrifying, too, the first time I did it, but it's become easier ever since.  Still, there's a big difference between reading to a group of writers who have specifically gathered to discuss each others' work, and reading to an audience who are simply there to be entertained.  I worried that they wouldn't like the story, or that I'd mess up the reading of it, or that people would get bored and leave half way through or (worse) heckle, or throw things, or laugh at my shoes.

 But you know what?  People were lovely.  They listened, and they smiled, and they laughed at the right bits (and sometimes at bits I didn't think they'd laugh at), and said nice things afterwards.   And then I posted a link to the  podcast, and people I know listened to it and they said nice things too.  It was such a fun experience that I've been back nearly every month since as an audience member, and even did a second reading at the end of March.  I survived that one too.

A few months later I had another email, this time  from Josh at Open Pen, a free bi-monthly(ish) fiction magazine which is distributed via independent bookshops.  He said some really kind things about both of the stories I had sent in and, while neither of them ended up being chosen for publication  it was incredible to think that someone had taken time to read them and offer feedback. It gave me enough faith to keep on trying, and so I made a list of competitions and submission deadlines which I steadily worked through, sometimes writing new pieces and sometimes tweaking existing ones.

Since then, some pretty amazing things have happened.  The flash fiction piece I entered in an  'unexpected fairytales' competition didn't win, but the organisers decided to publish all of the entries.  So yesterday, I placed an order on Amazon for a copy of the book.  An actual book - with words and ink and paper and everything -  which includes a story written by me.  Later this year another book is due to be published which will, again, contain another story written by me.  A full length short story this time, not a flash-fiction piece, and I'm actually being paid for it.  Every time someone buys a copy of the book, a teeny, tiny portion of the money they pay will eventually be paid to me in royalty fees. Just like a real author.  Just thinking about that blows my mind.

So, my stories are finding homes.  It's something I have mixed feelings about. Mostly  I am excited, pleased, thrilled, and bubbling over with  pinch-yourself-to-make-sure-it's-really-true excitement.  But a tiny part of me is terrified.  All of a sudden my ideas are out there in the world, being seen and heard in ways I have very little control over.  My stories will be read by complete strangers whose opinions I will never know.  I won't get to watch their faces as they turn the page, or be on hand to answer any questions they have about the characters.  I can't explain why things turned out the way they did or describe how long I spent debating the ending.  It's a frightening thought.

And at the start of this post, when I said  'I submitted a few stories to a few places'.......well, that makes it sound incredibly easy.  It wasn't.  Each of those stories took hours - spread over weeks, sometimes months - to write. They really were put down on the page exactly as Dave Eggers describes - with great love and care. Not the first time they were put down, necessarily - usually that first attempt was just a muddle of thoughts and words which felt laboured and clumsy, but would 'do for now', and which, when I was lucky, circled vaguely around some sort of meaning.  But the act of  sifting through all of those words and ideas to find the ones which tell a story, and then crafting and refining them until that story has been told in the very best way you can - that requires a lot of love and care.   An awful lot, in fact.

Presenting people with something you've worked that hard on - something you've gone back to time and time and again until you are absolutely sure it's the best you can make it - is difficult.  Because it raises questions:  What if it's still not good enough?  What if they hate it?  What if it makes no sense?  Who am I to think these words are worth sharing?  

And it's not just concerns about technique or ability.  You end up writing about the things you really care about. The experiences I've had, which in turn have shaped the way I see the world, are inextricably linked to the stories I tell.  It's no accident that I've written about unrequited love, or being far away from the people you care about, or - for that matter - having big feet. They're all things I've experienced.  And when I've gently poked fun at a characters' snobbishness, or given an underdog his day, or infused some humanity into a difficult situation, it's because I think it's needed.  Being able to do this - making the world work in exactly the way you think it should, rather than in the way it sometimes does, is one of the great joys of writing.  But it does means that those stories, and the way I've told them, contain pieces of me.  None of them are true, but they all hold a degree of truth - abut me, and the values I hold, and the way I see the world.

So 'submitting  a few stories to a few places' is more than just clicking 'send' on an email.  It's saying to someone 'here's what is fundamentally important to me, told in the very best way I know how, and  because I think what I have to say is valuable and important enough for them to be interested, now I'd like you to help me share it with some complete strangers."   And in some cases,  "Oh, and if you could pay me some money for it, that would be great as well."

It doesn't seem quite so easy now, does it?

And I've mentioned the good things which have happened this year.  What I haven't told you about are the other parts.  The stories which were rejected, or, even worse, completely ignored.  The three months I spent writing almost nothing at all because I got scared, and lost confidence.  The way I seriously questioned whether this whirlwind love-affair with writing I've been having for the last couple of years was just a fling.  I don't want to labour the point - mainly because I would much rather forget all of those things, which were all horrible -  but you get the idea.  Writing isn't easy.  Sharing what you've written isn't easy.  The long waits, the rejections, the worries about what people will think - that's not easy either. But sometimes, just sometimes, things happen which make you realise it's all worth it.

And quite a few of those things have happened lately.  My stories - some of them, at least - are finding homes. It's an amazing, exciting, nerve-wracking and in some ways quite sobering feeling.  On the 'Writing' tab at the top of the page are some links, and I'll keep adding to this list as and when there is more news.

In the meantime, I've got some more writing to do.










.

Wednesday, 13 June 2012

Puts a whole new spin on travelling first class

My 'today in history' widget tells me that on this day in 1920, the US Postal service ruled that children could not be sent by parcel post.  This tickled me for some reason so I tweeted about it, and someone replied who had been similarly tickled, which prompted me to dig a bit further.

As it turns out, the rule isn't as bonkers as it sounds.  For a short period of time in the early twentieth century  parents did, in fact, occasionally attempt to post their children.  Although not by stuffing them them into envelopes, as per the "Flat Stanley"-esque image which I bet is now floating around in your head.

The US Postal service came into being in January 1913, and just over a year later the parents of 4 year old May Pierstorff worked out that rather than pay for a train ticket so May could visit her grandparents, it would be cheaper to post her.  She wore the  stamps (53 cents worth) on her jacket, and travelled in the mail compartment of the train.

A few years later, cousins Josephine McCall and Iris Carter, 7 and 8 years old respectively, were posted to their aunt.  Iris cost 70 cents to post, while Josephine was somewhat lighter and cost 51cents.  The driver of the delivery truck they travelled in was a Mr W.E. Fawcett.  From one of the local newspapers at the time:

"Mr. Fawcett believes that a kid or two at a time to deliver is all right but he is glad the idea does not occur to many parents at present when moving their children and he is dreading the time when he will find children all along the way and persons in parcels at every post office."